| 1967
|
Born
in Belfast, Northern Ireland |
| 1999- |
Living
and working in New York |
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|
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Selected Exhibitions and Projects |
| 2009 |
'Coalesce', SMART Project Space, Amsterdam, Netherlands |
| 2008 |
'Brick Balloon', curated by Anthony Graves, Cornell University, Ithaca, NY |
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‘Technically Sweet’, Overgaden, Copenhagen, Denmark |
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'Skank Bloc Bologna 3', Artist's Publication, TART, San Francisco |
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'Storytelling', Illges Gallery, Corn Center for the Visual Arts, Columbus State University, GA |
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‘The Unbelievable Truth’, film program curated by LUX, London, Era New Horizons Film Festival, Warsaw, Poland |
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‘Technically Sweet’, curated by Maria Finn and Yvette Brackman, Participant Inc. and Anthology Film Archives, New York |
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'Skipping The Page', curated by Graham Parker, Center for Book Arts, New York |
2007
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'I'll Come Up With Something', curated by Michael Wilson, artist publication, Centro Cultural Montehermoso, Spain |
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Kilkenny Arts Festival, curated by Hugh Mulholland, Kilkenny, Ireland |
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‘The Double Image’, curated by Dougal McKenzie, Golden Thread Gallery, Belfast |
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‘Your Position As Much As Your Environment’, curated by Sarah Glennie, Model Arts and Niland Gallery, Sligo, Ireland |
2006
|
'Local
Transit', curated by Brian Butler and Christian Rattemeyer, Artists
Space, New York |
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'Affair', curated by Anne Colvin,
TART, San Francisco |
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'Masters
- 25 Years', Ormeau Baths Gallery, Belfast |
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'Cluster',
curated by Katie Holten, Participant Inc., New York |
| 2005 |
'Street
Archaeology' public art project, Donegall Street, Belfast |
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'Do
You Like Stuff?', curated by Gabrielle Giattino, Swiss Institute,
New York |
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'RED
WHITE BLUE', Spencer Brownstone Gallery, New York |
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'Coalesce',
curated by Paul O'Neill, Redux, London |
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'The
Major Something In Doing Nothing', (2-person show with Duncan Campbell),
TART, San Francisco |
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'Listen',
curated by Kathleen Forde, Rotterdam Film Festival, Netherlands |
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'LOTs
Of Posters', LOT, Bristol, England |
| 2004 |
'Full
Circle', Temple Bar Gallery, Dublin |
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'Sam
Shouting in the Museum', Gallery for One, 5 Scarlet Row, Dublin (SOLO) |
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Winter
Auction, D.U.M.B.O. Arts Center, Brooklyn NY |
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'None
Of The Above', curated by John Armleder, Swiss Institute, New York |
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‘A
Little Oracle’, Goethe Institut, Dublin, and Cinilingus, Belfast (SOLO) |
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'There
Is A Light That Never Goes Out', curated by Michael Wilson, D.U.M.B.O.
Arts Center, Brooklyn NY |
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Temple
Bar Gallery, Dublin, gallery installation as part of ‘Volume’,
sound week (SOLO) |
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'Open
Walls', ISSUE Project Room, New York |
| 2003 |
'Post-It',
Floating IP, Manchester, England |
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'001',
Nth Art, London, England |
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Artist’s
pages project, CIRCA Art Magazine, Fall 2003 |
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‘Tar
Beach - New Artists from New York’, curated by Michael Wilson,
Site Gallery, Sheffield, England |
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‘Permaculture’,
Project Arts Center, Dublin, Ireland |
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‘The
National Gallery’, Goethe Institut Inter Nationes, Dublin,
Ireland |
| 2002 |
'FEPII
project', Art Under The Bridge Festival, D.U.M.B.O, Brooklyn, New
York. |
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'Cluster',
curated by Katie Holten, BOWES, 31 Fleet Street, Dublin. |
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'Under
Your Skin', photo/text contribution to Catalyst Arts publication. |
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‘Rehearsing
Ascension’, elevator project, Art In General, New York. (SOLO) |
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‘The Dialogue’, video screening, Thomas Erben
Gallery, New York. |
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'Now More Than Ever', public art poster project by 14 New
York artists, Melbourne, Australia. |
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‘Blackbox
Recorder FM’, artists’ radio broadcast and CDRom, Catalyst
Arts, Belfast. |
| 2001 |
'Transitory
Audio Archive', 129 Lafayette Street, New York. |
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‘Schematically
Inclined'; Gallery Bershad, Boston, MA. |
| 1999 |
‘EV+A
‘99’; curated by Jeanne Greenberg Rohaytn, Limerick
City Gallery of Art, Limerick, Ireland. |
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‘Radio
Tuesday’; artists’ audio works radio broadcast, Transmission
Gallery, Glasgow, Scotland. |
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‘The
Morning After’, Catalyst Arts, Belfast, N.Ireland. (SOLO) |
| 1998 |
‘The Morning After’, Context Gallery Derry, Northern
Ireland. (SOLO) |
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Reverend Todd’s Full House; College Green House, Belfast,
N.Ireland. |
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‘Wish You Luck';
P.S.1 Contemporary Art Center, New York. |
| 1997 |
‘Museum
of the 20th Century’; Catalyst Arts, Belfast, N.Ireland. |
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Open
Studio; P.S.1 Contemporary Art Center, New York. |
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‘Car
Boot Sale’; night time projections at Documenta
X, Kassel, Germany. |
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‘Interview with Victor Robinson’, Waterfront
project, Belfast Waterfront Hall. |
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'
Limits of Silence'; Pearce
Institute Exhibition Spaces, Glasgow, Scotland. |
| 1996 |
‘Invitation’; Context Gallery, Derry, N.Ireland. |
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‘Splatter’;
Halloween night event, Crawfordsburn, N.Ireland. |
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‘House
Style’; The Bedroom, 55 Greenore St. Belfast, N.Ireland. |
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‘Interview
with Hugh Murray’, EV+A'96; curated by Guy Tortosa, Limerick,
Ireland. |
| 1995 |
‘Beyond Borders Plus'; temporary public projects around Derry
City, N.Ireland. |
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Barrage, sound works project, The Design Centre,
Corporation St. Belfast, N.Ireland. |
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‘12 Artists from Northern Ireland’; Itami City
Museum of Art, Japan |
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‘Super
8’; Catalyst Arts, Belfast, N.Ireland. |
| 1994 |
MFA
Exhibition; University of Ulster, Belfast/ Glasgow/ Dublin. |
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‘Hit
and Run’; Wilmont House, Lady Dixon Park, Belfast, N.Ireland. |
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‘Modern Art’; Transmission Gallery, Glasgow,
Scotland. |
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|
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Reviews and Articles |
| 2005 |
Adam
E Mendelsohn, 'Do You Like Stuff?', Art Monthly, October 2005 |
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Emily Hall
, 'None Of The Above', Artforum, March 2005 |
| 2004 |
Christa
Maria Lerm Hayes, 'Joyce In Art', Lilliput Press Dublin, 2004 |
| 2003 |
The
Guardian Newspaper (London), ‘Pick of the Week’, June
17th, 2003 |
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Amber
Cowan, ‘Tar Beach’, The Times (London), May 31st, 2003 |
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Sotiris
Kyriacou, ‘Previews’, Contemporary magazine no. 51,
2003 |
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Michael
Wilson, 'Tar Beach', exhibition catalogue, Site Gallery, Sheffield |
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Daniel
Jewesbury; ‘Permaculture’, Art Monthly, April 2003 |
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Medb
Ruane; ‘Permaculture’, The Sunday Times (Ireland) February
23rd. |
| 2002 |
Time
Out New York, issue 335, February 28 - March 7 |
| 2000 |
Eoghan McTigue;
‘Taking Place’; Circa 90, Winter 1999/2000 |
| 1999 |
Sean Taylor; ‘EV+A ‘99 Reduced’; SSI Magazine,
Autumn 1999 |
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Dougal
McKenzie; ‘EV+A ‘99 Reduced’; Circa 89, Autumn
1999 |
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Eoghan
McTigue; ‘Transgressive Events’; Circa 89, Autumn 1999 |
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Ian Hill; Evening Extra; BBC Radio Ulster; 22/3/99 |
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Gavin
Weston; The Sunday Times; Culture Ireland section; 21/03/99 |
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Ian Hill; Belfast Newsletter; 13/03/99 |
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Martina
Corry; Circa Art Magazine; no. 86; Spring 1999 |
| 1997 |
Cúrsaí
Ealaíne, RTE TV, Ireland, December 7th 1997. |
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Daniel Jewesbury;
'Limits of Silence', Circa 81, Autumn 1997 |
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James
Kerr; 'Waterfront', Circa 81, Autumn 1997. |
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'The Great Unloved', Circa 81, Autumn 1997. |
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Aisling
O'Beirne; 'Waterfront', Fortnight no.363, July/Aug 1997 |
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Gavin
Weston; 'Waterfront', The Sunday Times (Ireland), 25/5/97 |
| 1996 |
Ian
Hill; Invitation, exhibition review, The Irish Times 4/12/96 |
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Guy Tortosa; ‘EV+A '96’; exhibition catalogue. |
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Colin
Darke 'Beyond Borders Plus'; Circa 75, Spring 1996. |
| 1995 |
Gavin
Weston, 'Barrage', The Sunday Times, 25/6/95 |
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|
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Awards / Education |
| 1999 |
Artist's
Work Programme, Irish Museum of Modern Art, Dublin |
| 1997-98 |
International
Studio Program, P.S.1, New York. |
| 1993-94 |
MFA
Degree in Fine Art, University of Ulster, Belfast. |
| 1987-90 |
BA
(Hons) in Fine Art, University of Ulster, Belfast. |
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|
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Curatorial |
| 2002- |
Associate
Director, Spencer Brownstone Gallery, New York |
|
1993-97 |
Co-founder
and director of Catalyst Arts, artist-run gallery and organization,
Belfast, Northern Ireland. |
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